Curated printed wall art for contemporary spaces.
A vibrant and whimsical contemporary Urdu phrase composition with organic earth-toned accents, set in a matte black gallery frame.
Soulful Urdu lyrical typography blended over textured brushstrokes of deep burgundy, terracotta, and warm charcoal.
Iconic cultural nostalgia meets dynamic city nightscape photography and dramatic Nastaliq typography.
Ultra-minimalist Urdu phrase in bold Nastaliq script accented by a single editorial burgundy brush line.
Striking deep charcoal canvas featuring crisp ivory Urdu lettering and minimalist terracotta geometric accents.
A late-night city scene rendered in deep navy and amber, with the line یہ جو گزر رہا ہے وقت نہیں، زندگی ہے — what is passing is not time, it is life — set in warm hand-lettered Nastaliq above a Honda City's tail-lights.
An open motorway at dusk under a deep blue sky, carrying the line وہ تو اللہ ہے! کہانی بدل بھی تو سکتا ہے — He is Allah; He can change the story — in gold and ivory hand lettering.
ہائے گرمی — two words every Pakistani summer earns honestly — set as a chunky cream-and-green display face on a postage-stamp block of orange.
یہ وقت بھی گزر جائے گا — this time too shall pass — in soft rounded Urdu lettering over a magenta and violet dusk.
آپ تھک جائیں گے، انسان راضی نہیں ہوں گے — you will tire before people are satisfied — glowing in amber neon against carved antique wooden doors.
دُنیا گول نہیں، بے غیرت ہے — a dry, very funny reworking of the usual saying — over a mustard pop-art portrait mid-yawn.
جی آیاں نوں — welcome — under a hand-decorated Bedford truck rendered in classic phulkari reds, cream and teal, complete with an I ♥ AAM plate.
ہوتا ہے، چلتا ہے، دنیا ہے — it happens, it goes on, that's the world — in chalky white brush lettering over a dusk-pink sky, purple moon and indigo mountains.
A figure in a deep maroon burqa sips a tall glass of lassi through a yellow straw, against an electric blue field, with hand-lettered Urdu across the lower third.
A blindfolded figure crowned with marigolds and roses, surrounded by a swirling cloud of hand-drawn Urdu words — عشق، اداسی، دھوکا، دل برباد — on aged paper.
بھاڑ میں جاؤ — bluntly, go to hell — delivered with total composure by a woman in cat-eye glasses and a cream blazer, on a burnt orange gradient.
دماغ شاٹ نہ کریں، شکریہ — please don't fry my brain, thank you — hand-painted in white script across a red and yellow stop sign.
امی بلا رہی ہیں set in heavy black Urdu type with motion lines, on warm bone with rust and olive shapes. Beneath: you have no choice.
بس ۵ منٹ with a small digital clock frozen at 05:00, on warm bone with rust shapes. Beneath: and then I'll do it.
پیسے نہیں ہیں in heavy black Urdu type above a small loaded shopping trolley. Beneath: but the cart is full.
لوگ کیا کہیں گے؟ set between oversized quotation marks and speech bubbles. Beneath: the unofficial Pakistani national anthem.
بس کر یار in a loose brushed Nastaliq, black and crimson, on warm bone with soft rust shapes.
